Music Review: Hats off to Pharrell’s new album

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Columbia Records shows Girl, the latest release by Pharrell Williams. (AP Photo/Columbia)

G I R L

Pharrell

On the heels of two monster hits on which he was the co-star — the jaunty Daft Punk funk jam Get Lucky and the much vilified yet utterly catchy Blurred Lines with Robin Thicke, Pharrell is taking the lead with the relentless Happy, which appears on the Despicable Me 2 soundtrack and was nominated for best original song at this year’s Oscars.

The cheerful tune is also on his second studio album, G I R L, which was released perhaps coincidentally the day after the Academy Awards ceremony, on which Pharrell performed the song.

The 10-track set is an ode to the female form and spirit, peppered with sexy vibes and brash come-ons. A definite change from his raspier, more alternative first album, which wasn’t particularly successful, G I R L proves Pharrell — a member of N.E.R.D. and the hit-making Neptunes — is a true, and exceptional, frontman.

Cynics will dismiss the album as a shameless attempt to derail the accusations of misogyny leveled at Blurred Lines. After all, Pharrell is cheeky and sexy, and his lyrics sometimes blur the lines between playful seduction and outright possession.

“Ain’t no sense in you roaming around, if I can’t have you nobody can,” he says in Hunter, but maybe that’s his way of saying he can’t help it if the ladies find him attractive and he reciprocates. After all, this is the entire ethos of the album: love in its purest form, love at the first frisson, love settled on a cloud, love of the flesh.

The record’s tempo matches the upbeat Happy, and it deploys killer hooks. The sound is eclectic, ranging from dramatic violins in the Daft Punk-assisted Gust of Wind to Motown disco beats in Hunter and tribal drums in Lost Queen. Persistent echoes of Michael Jackson-style sound lurk on the album, from the sultry Gush to the deliciously head-bopping Marilyn Monroe to the Justin Timberlake-featuring Brand New.

A definite homage to women is the female empowerment ballad Know Who You Are, where Pharrell sings with piano queen Alicia Keys. He croons on the mellow reggae tune, “I know who you are and I know what you’re feeling.” No doubt about where he stands on gender equality there.

— Cristina Jaleru

Associated Press


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